how to

"How To;" Soundproof your Space

There are plenty of reasons to soundproof a room (or several rooms) in your home. Maybe you have a home theater and you'd rather not wake up the kiddos. Or maybe those kiddos get in the habit of making a ton of noise and you'd rather work out of your home office in relative peace. Now technically speaking, it's really, really, REALLY hard to make a room completely soundPROOF. I like to think of these tips as a way to make your room sound RESISTANT (but for the sake of this post, we'll stick to saying soundproof). In any case, here's just a few of the many possible "How To" tidbits to taking those decibels from "rock concert" down to "crickets."


Do you remember moving in to your first apartment or home? Every room is empty and sounds SO loud. But once you start filling it up the rooms shrink up and the house stops echoing. Once you add the sofa, rugs, and curtains, the sound starts to go away. These "sound buffers" are the easiest and most cost-effective add-on fix to the loud spaces; pillows, canvased art work stuffed with egg-crate foam, tapestries, etc. If you can add more of these items to your loud spaces, they will do their part in keeping sound from bouncing out.

It seems simple, but adding a few soft goods can not only bring a room to life, but soften the sounds all around.

If a few pillows and throw blankets aren't cutting it, you can take the next step into soundproofing by adding paneling made specifically for acoustic control. There's the DIY hardware store foam panel wrapped in decorative fabric, which is by far the most economical choice. There's also these hanging clouds (available in other shapes as well)that have a really neat look (maybe for a whimsical nursery?), starting at around $200/piece. Lastly, custom shaped and colored acoustic panels that have the benefit of extra insulation, as well as help with the sound absorption (contact for pricing).

If you have the resources you can start 'proofing your rooms before you ever have an issue. This option would be your most costly, as it starts at the planning phase of construction. First, pick out the rooms that need the most protection, like a nursery or bedroom. Rather than building your walls in the traditional sense (see figure below, top diagram; drywall from neighboring spaces attached directly to the studs) you would instead give the insulation inside the wall a little breathing room and ensure studs from one room don't touch the drywall from the neighboring room (bottom diagram), thus stopping sound transfer (which is just vibrations) dead in its tracks.

Although it adds more thickness to your walls, the gaps in studs will stop vibrations from migrating to other rooms. This doesn't need to be done to every room, but even four walls around your loudest spaces will make a huge difference.

Hopefully these few tips will get you on the right track to some much deserved peace and quiet!

Products and pictures thanks to Oak Ridge Revival, DIY Masterz, Wooly Shepherd, BAUX, and Bla Station.

"How To;" Stage Your Flat Surfaces

Hey again! Welcome to my first installment of my own little "How To" series. Every so often I'll be giving you tips and tricks you can use in your own spaces to achieve a true designer-like look and feel. First up; how to make your flat surfaces like tables, counters, desks, etc. pop and come alive.

Blank table = no good.

Unless everything in your home is white and chrome and sterile like a hospital, the worst thing you could probably do is have blank surfaces. I don't trust anyone with an empty cocktail table (what are you trying to hide, huh!?), plus having knickknacks on these surfaces helps your space feel warm, inviting, and most of all, lived in. So rule number one, put something on that table!

Uh, OK. It's a start, I suppose...

Rule number two? We want... stuff on that table, just not too much stuff. There's a finer line than you think between just enough and too much, so walk it carefully. Typically, the smaller the surface and space, the smaller and fewer your items should be. The larger the surface, the more pieces you can have and the larger they can be. Scale is VERY important when it comes to this stuff.

Alright, getting closer. Three items, different sizes and shapes...

Whoa! Juuust a bit overboard, huh?

Rule number three; keep it odd. Clusters of an odd number of items is going to be key in creating the visual interest you need on the surface. Even numbers are too symmetrical and can be paired up too easily by your mind. Odd numbers will force your eye to dance through the space and spend time at a particular point, rather than immediately moving on. Next time you open up a home design magazine, take a look at tables in the ads and pictures in the articles, I bet you'll notice the odd numbers. You'll probably also notice rule three a) and b)...

Three a) is to have items of varying height, and b) is varying size/shape. If we have odd numbers to create visual tension and force our eyes to linger, we incorporate items of varying size and height to create visual balance in the composition at the same time. If we can successfully create tension and 'solve' that same tension in the same breath, we've created something truly dynamic and worth looking at.

And we're there! Odd number of items, short and tall, different shapes and sizes. Three would have made the table top seem too large and empty, seven would probably have crossed that line into clutter. We're well balanced with what we have here.

So crack open that old box of books, candle holders, and other little tchotchkes, and get to work!